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珠江上游传统民歌的生存语境与文化内涵
引用本文:任红军.珠江上游传统民歌的生存语境与文化内涵[J].学术探索,2013(12):134-137.
作者姓名:任红军
作者单位:曲靖师范学院音乐舞蹈学院,云南曲靖655011
基金项目:云南省教育厅省院省校教育合作人文社科研究项目(SYSX201209);曲靖师范学院一级重点建设学科“艺术学理论”;曲靖师范学院“云南当代音乐文化研究创新团队”
摘    要:传统民歌是我国民族宝贵的文化资源。珠江上游传统民歌因其独特的地缘性,历经数千年,与生活在这片神奇土地上的各族儿女和谐共生,并在历史的传承与文化的碰撞交融中形成了多元并存的文化艺术形态。从人类学特别是音乐人类学的角度考量珠江上游传统民歌的文化内涵,将珠江上游传统民歌研究纳入体系化、长期性、多角度、跨视角的研究中,实现尽量客观的审视这种文化形态的目的,从而为发展珠江上游的文化艺术,提供人文观照。

关 键 词:珠江上游  传统民歌  文化内涵  音乐人类学

The Living Context and Cultural Connotations of the Traditional Folk Songs in the Upper Reaches of the Pearl River
Institution:REN Hong - jun ( School of Music and Dance, Qujing Normal University, Qujing, 655011, Yunnan, China)
Abstract:Traditional folk songs are the precious cultural resources of our nation. Due to their unique geopolitical features, tra- ditional folk songs have coexisted in harmony with the ethnic peoples in the upper reaches of the Pearl River and evolved into multicuhural art forms under the influences of historical heritage and cultural conflicts. From the perspective of ethnomusicology, this article explores the cultural connotations of the traditional folk songs in the upper reaches of the Zhujiang River, makes a systematic, long - term, multi - angle and cross - perspective study, and analyzes these art forms objectively so as to provide hu- manistic support for the development of culture and art of this area.
Keywords:the upper reaches of the Pearl River  traditional folk songs  cultural connotations  ethnomusicology
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