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《女神》时期集外诗作的发掘与郭沫若早期新诗的文学史形象
引用本文:颜同林. 《女神》时期集外诗作的发掘与郭沫若早期新诗的文学史形象[J]. 西南大学学报(社会科学版), 2011, 37(4)
作者姓名:颜同林
作者单位:贵州师范大学文学院;
摘    要:
《女神》时期集外诗作的发掘和郭沫若早期新诗的文学史形象书写嬗变二者之间,存在着密切联系。通过《女神》与集外诗作的对照,既可以还原郭沫若早期诗歌多体式、多元化的尝试,也可以印证诗人创作中一直存在着的两极化创作现象。兼顾诗人风格各异的诗作,有利于调整对郭沫若《女神》时期的文学史书写。

关 键 词:郭沫若  《女神》  集外诗作  文学形象  文学史书写  

Discovering Guo Moruo's Lost Articles Except Goddess and The Image of Literary History of His Early Poetry
YAN Tong-lin. Discovering Guo Moruo's Lost Articles Except Goddess and The Image of Literary History of His Early Poetry[J]. Journal of southwest university(social science edition), 2011, 37(4)
Authors:YAN Tong-lin
Affiliation:YAN Tong-lin
Abstract:
There is a close connection between the discovery of Guo Moruo's lost articles except Goddess and the image evolution of Literary History in his early poetry.Through Goddess and the sets,Guo Moruo not only restored the early poetry style and a wide range of attempts,but also prove the persisting of polarization of Creation.A comparison of the various styles of poetry,and even more mediocre work helps us to adjust the literature history of Goddess,and rewrite the Guo Moruo's early poetry.
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