| 论现代主义诗歌中节奏和意象的关系——以郑敏的40年代现代主义诗歌为例 |
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| 引用本文： | 周礼红.论现代主义诗歌中节奏和意象的关系——以郑敏的40年代现代主义诗歌为例[J].东北师大学报(哲学社会科学版),2009(4). |
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| 作者姓名： | 周礼红 |
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| 作者单位： | 深圳大学,艺术设计学院,广东,深圳,518060 |
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| 摘 要： | 人们一般认为节奏是表现诗歌的时间艺术,意象是表现诗歌的空间艺术,节奏和意象如何配合成为现代主义诗歌面临的主要问题.在二三十年代不同时期现代主义诗歌中,人们往往偏重节奏和意象二者中的一方面,而40年代郑敏是通过情绪节奏和独特的意象之间的相互配合来完成节奏和意象的融合.
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| 关 键 词： | 现代主义 外在节奏 情绪节奏 意象 |
On the Modernist Poetry in the Relationship between Rhythm and Imagery——as an example of modern poetry of Zheng Min |
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| ZHOU Li-hong.On the Modernist Poetry in the Relationship between Rhythm and Imagery——as an example of modern poetry of Zheng Min[J].Journal of Northeast Normal University(Social Science),2009(4). |
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| Authors: | ZHOU Li-hong |
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| Institution: | ZHOU Li-hong(College of Art , Designing,Shenzhen University,Shenzhen 518060,China) |
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| Abstract: | It is believed that rhythm is to represent time in poem and image to represent space.The arrangement of rhythm and image is a main concern for modernist poets.In the 1920s and 1930s either rhythm or image was preferred,while Zheng Min in 1940s achieved a combination between the two through a very skillful technique. |
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| Keywords: | modernism external rhythm emotional rhythm image |
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