元明清时期的汉乐府研究

元明清时期对汉乐府诗旨的探讨表现为以传统的诗教观念来约束汉乐府,以比兴手法解诗,失于穿凿附会和繁琐考证;在艺术形式上则表现为从后来发展的艺术观念来寻找先验的格律,难免拘于旧说。但汉乐府在诗评界取得了经典范本的地位,叙事诗批评开始形成,著作之丰超过此前历代研究者的总和,呈现出集大成的风貌,荟萃诸家众说,是汉乐府研究的总结期和丰收期。

The Research of Music Songs in Han Dynasty during Yuan, Ming and Qing Dynasty

The research on the content of the music songs in Han Dynasty is restricted by the conventional Confucian concept during Yuan, Ming and Qing Dynasty. It has the defect of being farfetched and detailed in textual research since they explain poems by boxing means. The research is constrained by old theory since they seek the transcendental rule from developed artistic concept in later periods in artistic form. The music songs in Han Dynasty become the classic in the eyeshot of the poem commenter. The criticism on epic comes into being. There is plentiful production that exceeds the summation of the research in past dynasties. It takes on the synthesized style and features since it gathers different theories together. It is the sum-up periods of the research of the music songs in Han Dynasty.