作为观念现象的文字：中西审美思维源发机制探微

文字的“音”与“形”是观念的“现象”存在。文字的音一形二重现象给文字记录观念的方式提供了两种选择。汉字从“形”出发，兼及字“音”，包蕴“意象”，以“相类性”为原则，形成超越具象的汉字“字象”系统；汉字“字象”具有虚拟隐喻的“象性”、具身性和透明性。西文字则弃“形”择“音”，以“任意性”为原则，形成了能指／所指关系的符号“声象”系统；西文字“声象”具有语境诠释的“像性”、离身性和遮蔽性。文字是“构成性的语言”，左右着组织信息和概念表征的方式。现象学的观念开启了重新观察文字的视角，启发通过文字形态的独立考察比较中西文论差异的可能性，探索文字所蕴含的思维力量，观照中西审美思维的源发性生成机制。

The Phenomenon of Words as Ideas：Exploration on the Original Aesthetic Thinking

The ＂sound＂ and ＂form＂ of words are the ＂phenomenon＂ existence of the idea. The sound--form dual phenomenon of the words provides two kinds of choices for writting down the idea. Based on the ＂form＂, combined with ＂sound＂, Chinese Character formation contains ＂invisible great image ＂. With the principle of ＂similarity ＂, it forms the Chinese ＂character--image＂ system beyond the physical character. With the nature of the virtuality and metaphor, Chinese Character--image is imageability, embodied, and transparent. Western Words abandoned ＂ form＂, and chose ＂ sound＂. With ＂discretionary＂ as principle, western words formed the symbol ＂Sound--image＂ system based on the signifier and the signified. And with the nature of the ostensive definition and context of the sit- uation, western words which are based on ＂Sound--image＂ situation are likeness, disembodied and masking. Characters are the ＂constitutors＂, and literary theory is the factual ＂constituted＂ statement. The perspective of phenomenology opened a new way for us to observe characters, and inspired us to compare the difference between the western and the Chinese aesthetics through the characters, to ex- plore the power of thinking contained in the words, and discern on origin of Chinese and western aes- thetic thinking.