| 艺术语言的意象思维 |
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| 引用本文： | 周春林. 艺术语言的意象思维[J]. 哈尔滨工业大学学报(社会科学版), 2003, 5(3): 104-106 |
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| 作者姓名： | 周春林 |
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| 作者单位： | 南京大学,江苏,南京,210093 |
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| 摘 要： | 艺术语言是一种有意味的形式。艺术语言在语言编码中所采用的语法手段一旦不能尽其意,便借助于意象思维这一特殊的艺术思维方式,冲破语言符号在表情上的局限性,达到“立象以尽意”,使普通的语言符号上升为艺术语言符号。“立象以尽意”中的“象”是艺术语言的符号媒介,是主体情意的寄托载体,是沟通物象世界与内心世界的桥梁。
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| 关 键 词： | 有意味的形式 意象思维 意象 媒介 |
| 文章编号： | 1009-1971(2003)03-0104-03 |
| 修稿时间： | 2003-07-02 |
Imagist thinking expressed in artistic language |
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| ZHOU Chun - lin. Imagist thinking expressed in artistic language[J]. Journal of Harbin Institute of Technology(Social Sciences Edition), 2003, 5(3): 104-106 |
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| Authors: | ZHOU Chun - lin |
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| Abstract: | Artistic language is a form of language which carries special meanings. It can express the special emotions in an imagist way as long as the grammatical devices cant fulfil the goal. In doing this, it turns the common linguistic signs into symbolic signs with artistic taste. Image'is the instrument of artistic language; the carrier of emotive meanings of the subjects; and the bridge of linking the natural world and inner world of human beings. |
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| Keywords: | artistic language meaningful form imagist thinking image |
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