从熊十力到徐复观：就本源而言的文艺定位

熊十力志在阐扬先儒六艺之教,但其哲思进路稍隔膜于诗文一维。这自然非现代新儒家学思展开之当然。不过,熊氏的本源性思理极大地影响着该派后学对文艺的契入路径。作为熊门弟子,徐复观对文艺的兴趣虽出于经验心态,立论则归趣于心性本源,并试图建构一个融和性的学思系统。

From Xiong Shili to Xu Fuguan: Location of Literature and Art as for Human Mind

Although Xiong Shili's ambition is to illuminate the Confucian learning, the poetic dimension is rarely found in his scholarship. But this should not be considered as a consequential phenomenon according to the logic of Modern New-Confucianism. Different from Xiong, Xu Fuguan is interested in literature and art owing to his experiential character;at the same time he tries to set up his intellectual system on the root of human mind by way of carrying on the creative idea of his mentor.