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十七年诗歌的艺术缺失及反思
引用本文:徐汉晖.十七年诗歌的艺术缺失及反思[J].南都学坛,2014(5):43-46.
作者姓名:徐汉晖
作者单位:[1]贵州凯里学院人文学院,贵州凯里556000; [2]湖北大学文学院,湖北武汉430062
摘    要:新中国成立后十七年,诗歌创作一度成为时代的"热潮",也出现过一些感情真挚的佳作,但缺乏诗性和诗美的平庸乏味之作居多,很多诗歌沦为了图解政治的一个符号或传声筒,整体上蜕变为革命话语和政治权力的承载工具。一些诗人泯灭了知识分子的精神立场,把诗歌当作政治权力的一种玩赏;一些位居高位的评论家把持着话语权,成了扼杀诗人和诗歌的刽子手。在极左政治的时代语境和态势中,十七年诗歌的发展艰难而曲折,出现了严重的非艺术性、非诗化的畸变。

关 键 词:十七年诗歌  革命话语  颂歌

On the Drawback of Art in "17-year" Poetry and Its Reflection
XU Han-hui.On the Drawback of Art in "17-year" Poetry and Its Reflection[J].Academic forum of nandu,2014(5):43-46.
Authors:XU Han-hui
Institution:XU Han-hui (Chinese Language and Literature School, Hubei University, Wuhan Hubei 430062; College of Humanities, Kaili University, Kaili Guizhou 556000, China)
Abstract:17 years after the founding of PRC, poetry becomes the era's "boom", there have been some affectionate masterpiece, but most of them are boring work without the poetic beauty, as a result of which they beeome the graphic political symbol or megaphone, degenerated into revolutionary discourse and political power on the whole hosting tools. Some poets regard poems as the pet of political power because of their loss of spiritual position as intellectuals. At the same time, some critics with the high position hold the power of discourse and become the killer of poets and poems. The difficult development of 17-year poetry in the situation of extreme left political context results in the deform of non-artic and non-poetic poetry.
Keywords:17-year poetry  revolutionary discours  carols
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