| 论多丽丝·莱辛小说《金色笔记》的对话性 |
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| 引用本文： | 程谦.论多丽丝·莱辛小说《金色笔记》的对话性[J].沈阳农业大学学报(社会科学版),2013,15(2):247-250. |
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| 作者姓名： | 程谦 |
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| 作者单位： | 中南民族大学外语学院,湖北武汉,430070 |
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| 基金项目： | 中央高等学校基本科研业务费专项资金项目 |
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| 摘 要： | 《金色笔记》在文本结构上共时性并置话语场,在作者与主人公之间,主人公与主人公之间展开平等的对话,主人公获得清醒的自我意识,完成从分裂走向整合的过程.同时,多声部的文本形式和主题相互呼应,使作品本身也超越了被动的从属性质,成为主动参与人类活动的一种艺术建构形式.
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| 关 键 词： | 多丽丝·莱辛 《金色笔记》 对话性 主体 复调 |
Dialogism in The Golden Notebook |
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| CHENG Qian.Dialogism in The Golden Notebook[J].Social Science Journal of Shenyang Agricultural University,2013,15(2):247-250. |
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| Authors: | CHENG Qian |
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| Institution: | CHENG (College of Foreign Languages, South-centred University for Qian Nationalities, Wuhan 430074, Hubei Province, China) |
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| Abstract: | The Golden Notebook juxtaposes discourse fields and the characters, more significantly among characters. enabling the work to transcend passivity as a text, hut to synchronically. Dialogues occur between the author It can also be perceived between layers of texts, become an artistic construct of active participation m somety. |
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| Keywords: | Doris Lessing The Golden Notebook dialogism subject polyphony |
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