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明清以来苗族鼓舞文化的历史人类学透视
引用本文:成臻铭. 明清以来苗族鼓舞文化的历史人类学透视[J]. 湖北民族学院学报(哲学社会科学版), 2007, 25(1): 25-31,41
作者姓名:成臻铭
作者单位:吉首大学民族学与人类学研究所 湖南吉首416000
摘    要:
文章对苗族鼓文化发展脉络进行梳理,认为苗族木皮鼓由木鼓演变而来,在制作与使用苗鼓的过程中形成特定形态的鼓舞文化。苗族鼓舞历经春秋战国、唐宋时期的文化累积,到明清时期完整形成,清代以来苗族农闲时举办的五种典型鼓舞彰显了苗区闲暇文化生活形态,其象形动作在描绘苗民农耕生活情景同时又反映了农耕民族的生活规律,展示了云贵高原及周边山地民族丰富的农耕文化内涵。苗族鼓舞文化作为民间传统文化,既来源于苗族家庭生活又成为苗族家庭生活中重要组成部分,并深深影响整个苗族社会生活。

关 键 词:明清以来  苗族  鼓舞文化  历史人类学
文章编号:1004-941(2007)01-0025-07
修稿时间:2006-09-19

A Historical Anthropological Study of Drum Dance Culture of Miao People Since Ming and Qing Dynasties
CHENG Zhen-ming. A Historical Anthropological Study of Drum Dance Culture of Miao People Since Ming and Qing Dynasties[J]. Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences), 2007, 25(1): 25-31,41
Authors:CHENG Zhen-ming
Abstract:
On the basis of analyzing the development of the drum dance culture of Miao people,this paper holds that the feather drum was changed from the wooden drum,and the specific drum dance culture developed in the course of making and using the drums.The drum dance culture,a folk traditional culture,developing from the Spring and Autumn Periods,Tang and Song dynasties,to Ming and Qing dynasties,originates from the family life of Miao people and plays an important part in it.Therefore,The drum dance culture influences greatly the social life of Miao people.
Keywords:since Ming and Qing dynasties  Miao people  drum culture  historical anthropology
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