| 摄影艺术美学断想 |
| |
| 引用本文： | 夏乾丰. 摄影艺术美学断想[J]. 湖南人文科技学院学报, 2000, 0(1) |
| |
| 作者姓名： | 夏乾丰 |
| |
| 作者单位： | 复旦大学!上海200433 |
| |
| 摘 要： | 纪实美是摄影艺术独具的美学品格。但是 ,纪实性只是艺术创作的手段和方法。摄影艺术是“心”与“物”的结合 ,“情”与“景”的结合。摄影艺术的真实是“双重的真实”。典型化是一切艺术美的核心 ,也是摄影艺术美的核心。摄影艺术典型化的基本方法是选择。决定摄影艺术美的 ,还在于摄影作品要有形式美。摄影艺术的形式美有特有的组合材料 ,具有独特的审美价值
|
| 关 键 词： | 纪实美 实态美 纪实性 真实性 “双重的真实” 典型形象 形式美 |
Thoughts on the Aesthetics of Photography |
| |
| XIA Qian feng. Thoughts on the Aesthetics of Photography[J]. Journal of Hunan Institute of Humanities,Science and Technology, 2000, 0(1) |
| |
| Authors: | XIA Qian feng |
| |
| Abstract: | Although the uniqueness of photographic art lies in its scene of reality,mirroring the reality is at most the means of artistic creation.Photographic art is the combination of soul and the world,of emotion and sight.In this sense,it signifies the makeup of double reality.Just as all the other of arts,photographic art owes its life to typicality.The principal method that photographic art utilizes in pursuing typicality is screening.In addition,aesthetic feeling form is indispensable to the photographic works. |
| |
| Keywords: | sense of reality mirroring the reality aesthetic effect of actuality authenticity double reality typicality aesthetic feeling of form |
| 本文献已被 CNKI 等数据库收录！ |
|
