意境形成的哲学基础探源

意境是中国古代美学、艺术的核心范畴 ,对于它形成的理论渊源问题 ,研究者多倾向于从中国传统文化中寻找答案 ,基本认为它是在老庄哲学和禅宗心学的基础上产生和形成的。而对于佛教的影响 ,仅作了词源学的考述 ,未能从思想形成的内在逻辑联系中作深入探讨。本文从分析意境的基本思维模式出发 ,认为意境在形成过程中所确立的主客合一的一元论思维模式 ,在很大程度上是受印度佛教的中观哲学影响而形成的 ,以龙树的中观论为代表的中观哲学是意境形成的不可忽视的理论基石 ,大乘中观思想直接影响到文人的思想和创作 ,并最终促成了意境理论的形成

Philosophical Origin of the Formation of Artistic Conceptions

Artistic conception is a core category of the classic Chinese aesthetics and art, whose theoretical origin have mostly been traced from the traditional Chinese culture to be derived from the philosophy of Lao Zi and Zhuang Zi and the mind theory of Zen. Buddhist influence have been studied merely from the etymological point of view rather than from internal logical relations. Starting from the basic thinking mode of artistic conception, the present paper holds that the conception is affected to a great extent Madhyamika school of Indian Buddhist philosophy represented by Nagarjuna. The thought is not to be neglected in shaping the thinking and creation of literary people and ultimately helping the formation of the theories of artistic conceptions.