灵魂的珍珠项链--余光中诗歌从边缘切入的两种向度窥探

真正的诗人总是保持恒久的前倾姿态,在人格上确立一种自觉的边缘意识.正如古今中外一切大作家大诗人一样,余光中的生命境界和精神世界是立体多元而又充满矛盾的,同时也保持其微妙与和谐的统一.余光中展现的世界具有多重的美学内蕴和多维路向.我们发现,当诗人从边缘立场出发,至少在两种向度上同时展开一是既能作为个体生命独特的心灵图景与创作主体的生命感受;二是又能作为表现出人与超自然两个层次的契合上,发出关于人类生命终极意义的追寻和关注以及体现出文化与历史传承的真义.余光中诗歌对当代华文诗歌写作有着重要的启示和意义.

Pearl Necklace of the Soul-An Insight into Poetry by YU Guang-zhong from Two Dimensions Cut in from Edge

Real poets always maintain a perpetual forward-leaning posture and establish a kind of conscious edge awareness in personality. Like prominent poets in ancient and modern times, in China and abroad, Yu Guangzhong's life realm and spiritual world are three-dimensional, plural and full of contradictions while maintaining a balance of subt lety and harmony. The world that Yu Guangzhong presents contains multi-layered aesthetic implications and multi-dimensional orientations. We find that when the poet sets off from the edge position, he is unfolding at least from two dimensions: firstly, he presents his life feelings as the unique soul vista of the individual life and creative entity; secondly, in the terms of the overlapping on two layers, man and super-nature, he utters the pursuit and concern of the ultimate purpose of human life and reflects the true meaning of cultural and historical inheritance.