| 论“韩孟”的佛道诗 |
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| 引用本文： | 全华凌.论“韩孟”的佛道诗[J].南华大学学报(社会科学版),2004,5(2):79-82. |
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| 作者姓名： | 全华凌 |
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| 作者单位： | 衡阳师范学院,中文系,湖南,衡阳,421008 |
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| 摘 要： | 韩愈、孟郊诗歌都以险怪著称,然"韩孟"的佛道诗各有独特的艺术风貌韩诗尚"俗"和"实",孟诗则尚"雅"和"虚".这种迥异的艺术风貌与"韩孟"各自的宗教观、审美情趣以及表现技巧密切相关.
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| 关 键 词： | 韩愈 孟郊 佛道诗 艺术风貌 成因 |
| 文章编号： | 1009-4504(2004)02-0079-04 |
| 修稿时间： | 2004年2月10日 |
On Poems of Buddhism and Taoism of Han and Meng |
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| QUAN Hua-ling.On Poems of Buddhism and Taoism of Han and Meng[J].Journal of Nanhua University(Social Science Edition),2004,5(2):79-82. |
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| Authors: | QUAN Hua-ling |
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| Abstract: | The poems of Hanyu and Mengjiao are known for their speciality. But their poems of Buddhism and Taoism are characterized with respective artistics. Han's poems pursue worldliness and reality, while Meng's pursue elegance and emptiness. These two different artistic characters their are closely related to religious belief, appreciation of the beauty and expressing skills. |
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| Keywords: | Hanyu Mengjiao poems of buddhism and taoism artistic character cause |
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