| 从"美的理想"、"技巧中的自然"到"美的规律"--也谈马克思对德国古典美学的继承与革新 |
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| 引用本文： | 朱鹏飞.从"美的理想"、"技巧中的自然"到"美的规律"--也谈马克思对德国古典美学的继承与革新[J].云南民族大学学报(哲学社会科学版),2006,23(3):115-119. |
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| 作者姓名： | 朱鹏飞 |
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| 作者单位： | 浙江工商大学,人文学院,浙江,杭州,310012 |
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| 摘 要： | 马克思审美理论的主要来源是德国古典美学,其中康德和席勒最为重要.关于美,康德提出了"美的理想"说,认为理想的美是合主观规律(审美的规范观念)与合他律目的(理性观念即道德)的统一;席勒的观点正好相反,他认为美是"技巧中的自然",即美的对象是合客观规律(技巧或技艺性)与合自律目的(自然或称本性)的统一.二者的观点都良莠互现,马克思汲取了前二者理论的有价值部分,认为美是合种的尺度(客观规律)与合内在的尺度(自律与他律目的)的统一.这样,马克思就科学地解决了德国古典美学所遗留下来的"审美与自由"之历史谜题.
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| 关 键 词： | 美的理想 技巧中的自然 美的规律 |
| 文章编号： | 1672-867X(2006)03-0115-05 |
| 修稿时间： | 2005年11月24 |
On Marx's Inheritance and Innovation of Classical German Aesthetics |
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| ZHU Peng-fei.On Marx's Inheritance and Innovation of Classical German Aesthetics[J].Journal of Yunnan Nationalities University:Social Sciences,2006,23(3):115-119. |
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| Authors: | ZHU Peng-fei |
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| Abstract: | Marx's aesthetic theories originated mainly from classical German aesthetics,especially from Kant and Shiller.Kant proposed the "ideal of beauty",regarding it a combination of subjective law and external supervision.Shiller's was opposite,that is,"nature in craftsmanship",regarding the object of beauty as a combination of objective law and nature.Marx Absorbed the merits from them and regarded beauty as a combination of objective law with the objective of nature and ethics.Thus,Marx scientifically solved the historical puzzlement about "aesthetic standard and freedom" in classical German aesthetics. |
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| Keywords: | ideal of beauty nature in craftsmanship law of beauty |
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