| 透过“格式塔”看文学作品的模糊美 |
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| 引用本文： | 高晓琦,佘占宏.透过“格式塔”看文学作品的模糊美[J].延安大学学报(社会科学版),2010,32(3):89-92. |
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| 作者姓名： | 高晓琦 佘占宏 |
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| 作者单位： | 1. 常州大学,外国语学院,江苏,常州,213164
2. 延安大学,陕西,延安,716000 |
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| 摘 要： | 文学创作的最终目的是使读者能在阅读过程中产生审美感受,这一审美需要决定了文学语言的模糊性。格式塔心理学推崇整体,重视接受主体性,该学说中的整体、闭合与同构审美三原则不仅对读者品鉴文学作品的模糊美有很大的启发,同时也为文学作品模糊美感的生成机制提供了很好的解释。
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| 关 键 词： | 文学作品 格式塔 模糊美 |
On the Fuzzy Beauty of Literary Works in the Perspective of Gestalt |
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| GAO Xiao-qi,SHE Zhan-hong.On the Fuzzy Beauty of Literary Works in the Perspective of Gestalt[J].Journal of Yan'an University (Social Science Edition),2010,32(3):89-92. |
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| Authors: | GAO Xiao-qi SHE Zhan-hong |
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| Institution: | 1.School of Foreign Languages,Changzhou University,Changzhou 213164;2.Yan＇an University,Yanan 716000,Shaanxi) |
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| Abstract: | The ultimate target of literature is to enable readers to get aesthetic enjoyment in the process of reading,which determines the fuzziness of literary language.Gestalt psychology praises highly the whole and stresses the acceptance subject.Its aesthetic principles,such as ＂whole＂,＂closure＂ and ＂heterogeneous isomorphism＂ can not only enlighten us to appreciate the fuzzy beauty in literary works but also explain its generating mechanism. |
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| Keywords: | Gestalt fuzzy beauty whole closure heterogeneous isomorphism |
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