| 北宋书画形式的融合及“以书入画”的影响 |
| |
| 引用本文： | 赵书英.北宋书画形式的融合及“以书入画”的影响[J].重庆社会科学,2009(8):104-108. |
| |
| 作者姓名： | 赵书英 |
| |
| 作者单位： | 曲阜远东职业技术学院艺术系; |
| |
| 摘 要： | 北宋书画形式的融合，主要是诗文以书法为载体进入画面并成为其有机构成因素。但以书入画在北宋没有造成较大的影响，原因在于刚兴起的文入画不能对抗画院形成绝对优势，同时新的审美标准还未得到社会的普遍认同以及其他一些客观原因。
|
| 关 键 词： | 北宋 以书入画 文人画 画院题款 |
The Integration of the Book and Painting and Its impact in Northern Song Dynasty |
| |
| Zhao Shuying.The Integration of the Book and Painting and Its impact in Northern Song Dynasty[J].Chongqing Social Sciences,2009(8):104-108. |
| |
| Authors: | Zhao Shuying |
| |
| Institution: | Zhao Shuying |
| |
| Abstract: | In Northern Song Dynasty, painting and calligraphy were integrated, calligraphy which took poems as subject has become important factors of painting. However, in that time, it had no great influence for that literati paintings compared to institute ones has no absolutely advantage. Besides, the new aesthetical standard hadn't gained general identify. |
| |
| Keywords: | Northern Song Dynasty painting and calligraphy literati painting painting institute |
| 本文献已被 CNKI 维普 等数据库收录！ |
