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日本文化模式论
引用本文:杨薇. 日本文化模式论[J]. 南开学报(哲学社会科学版), 2002, 0(4): 73-78
作者姓名:杨薇
作者单位:天津师范大学历史文化学院 天津300073
摘    要:原生文化 (本土文化 )乃是构成“日本文化模式”的内在根据 ,它仍然活在今天日本文化的“背影”下 ,并决定着今日日本文化的基调 ;而外来文化一旦进入日本 ,都深深打上了日本“烙印”,经历了“日本化”变形。日本文化的发展 ,一方面坚持了本土文明的主体性 ,另一方面也多层次地引进吸收了外来文化 ,从而形成“绳魂弥才”、“和魂汉才”、“和魂洋才”、“和魂美才”的文化发展模式。

关 键 词:日本文化  原生文化(本土文化)  外来文化  绳魂弥才  和魂汉才  和魂洋才  和魂美才
文章编号:1001-4667(2002)04-0073-06
修稿时间:2002-02-01

On the Modes of Japanese Culture
Yang Wei. On the Modes of Japanese Culture[J]. Nankai Journal, 2002, 0(4): 73-78
Authors:Yang Wei
Abstract:Summary: The proto primary culture, or the indigenous culture lies at the base of Japanese cultural profile and set the keynote or mood for the formative of the mode of Japanese culture. It is suggested in this paper that in the development of Japanese civilization the Japanese indigenous culture was and is serving as a subjective perceiver and an active receiver, and the imported alien culture has had to go under Japanization. Thus we have: (a) The Indigenous Earthenware culture of the remote past; (b) The Chinese culture Japanized; (c) The foreign culture Japanized; (d) The American culture Japanized.
Keywords:Japanese Culture  Indigenous Culture  Foreign Culture  The Indigenous Earthenware Culture of the Remote Past  The Chinese Culture Japanized  The Foreign Culture Japanized  The American Culture Japanized
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