文学接受的合对象性与文化时差

文学接受的合对象性的实质在于读者与文本之间是否具有“同一”的“文化关系”。文学接受的合对象性包含合倾向性与合形式性两个命题。文学接受中的不合倾向性与不合形式性 ,究其原因 ,是文学文本中的文化价值观念、审美倾向与读者的文化价值观念、审美情调形成“错位”或“逆反”态势。文学接受的合对象性问题的背后隐伏着文化背景转换 ,也就是“文化时差”问题。文学史或者说文学接受史是人类文化价值观念对其影响的效果史。不同社会历史阶段文化价值观念的生成、演变、发展 ,导演了人类文学接受史上一幕幕精彩活剧

The object-correspondence of literary reception & the cultural differences of eras

The objectivity of literary reception is a valuable attribute of literary works to satisfy readers' aesthetic requirements. The essence of the object-correspondence, which is the same cultural relationship between readers and the text, includes two subjects: the tendency-correspondence and the form-correspondence, whose negations result from the misplacement or the anti-currency in the cultural value conception and aesthetic taste of both readers and the literary works. So the object-correspondence of literary reception implies the transference of cultural circumstance-the cultural differences of eras. On this point, the history of literature or literary reception is a history of the cultural value concept that affects literature. The forming, changing and development of the cultural value concept in different eras direct the social dramas in the history of literary receptions.