| 论谢灵运相和歌辞的音乐文学特征 |
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| 引用本文： | 陈岚.论谢灵运相和歌辞的音乐文学特征[J].北京化工大学学报(社会科学版),2010(4):40-45,72. |
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| 作者姓名： | 陈岚 |
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| 作者单位： | 香港大学中文学院,香港薄扶林道 |
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| 摘 要： | 本文阐述谢灵运相和歌辞的音乐文学特征。第一部分论述南朝前期相和音乐的流行情况以及谢灵运接触到这些音乐并为之写作歌辞的可能性;第二部分主要分析谢灵运各篇相和作品本身的句式结构所体现出的特殊的音乐要求,证明这些歌辞应当具有实际的音乐功能;第三部分则论析这批作品作为入乐歌辞而不同于徒诗作品的特定艺术风貌,并提出关于诗乐结合这一创作方式对诗歌艺术之特殊要求的若干思考。
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| 关 键 词： | 谢灵运 相和歌辞 入乐歌辞 |
Musical Literary Traits of Xie Lingyun's Xianghe Lyrics |
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| Chen Lan.Musical Literary Traits of Xie Lingyun''s Xianghe Lyrics[J].Journal of Beijing University of Chemical Technology:Social Sciences Edition,2010(4):40-45,72. |
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| Authors: | Chen Lan |
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| Institution: | Chen Lan(School of Chinese University of Hong Kong,Pok Fu Lam Road,Hong Kong) |
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| Abstract: | This paper intends to demonstrate that Xie Lingyun's Xianghe Lyrics were literary accompaniments for a certain set of musical pieces in the time of their composition.The musical background of Xie Lingyun's time,his own life path,and the special syntax that reflected the relevant musical structures in his Xianghe Lyrics,could all be the evidences for this demonstration.The last part of this paper also discusses how the musical requirements took part in establishing the artistic features of these lyric poems. |
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| Keywords: | Xie Lingyun Xianghe Lyrics musical literature |
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