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汉语口语审美范畴论析
引用本文:姜燕.汉语口语审美范畴论析[J].山东师范大学学报(人文社会科学版),2012,57(2):146-160.
作者姓名:姜燕
作者单位:山东师范大学 传媒学院,山东济南,250014
基金项目:作者主持研究的山东省社科规划重点项目“两岸三地传媒语言研究”(06WZ020)的阶段性成果
摘    要:“韵”、“势”、“味”、“趣”是汉语口语的四个审美范畴,它们涉及到了汉语口语形式和内容两个方面.作为诉诸于人的感性形式的口语,其形式上的美肯定是占主要的,因而从口语审美的静态和微观表现上,取“韵”范畴作为代表;从口语审美的动态和宏观表现上,取“势”范畴作为代表.“韵”的基础上构成了更加富有整体性和节奏感的“势”;从口语审美的内涵上,取“味”范畴作为代表,“势”是“味”的决定因素之一;在汉语口语的内外结合上,用“趣”范畴来表达汉语口语与其他口语的区别.这四个范畴相互联系、共同依存,组成了认识汉语口语美学现象的网络上的纽结.

关 键 词:审美  范畴        

Analysis on Aesthetic Categories of Spoken Chinese
Jiang Yan.Analysis on Aesthetic Categories of Spoken Chinese[J].Journal of Shandong Teachers' University(Social Science Edition),2012,57(2):146-160.
Authors:Jiang Yan
Institution:Jiang Yan(School of Media,Shandong Normal University,Jinan,Shandong 250014)
Abstract:Relating to the form and content of spoken Chinese,"rhyme","momentum","taste",and "interest" are the four aesthetic categories in spoken Chinese.As a sensuous spoken language,its formal beauty is a foremost,and consequently "rhyme" is taken as the representative from the perspective of the static state and micro presentation of oral aesthetic;"momentum",as the representative from the perspective of the dynamic state and macro presentation of oral aesthetic.",with "momentum" becoming richer in integrity and rhythm on the basis of "rhyme";"taste",as the representative from the perspective of the connotations of oral aesthetic,with "momentum" being one of its decisive factors;and from the perspective of a combination of the intrinsic and the extrinsic of spoken Chinese,"interest" is used to express the differences between spoken Chinese and other oral languages.The four aesthetic categories are interconnected with and dependent on each other,making up the kink on the aesthetic network with which the aesthetic phenomenon of spoken Chinese is to be acquainted with.
Keywords:aesthetic category  "rhyme"  "momentum"  "taste"  "interest"
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