| 新时期中国戏剧观念的论争 |
| |
| 引用本文： | 张小平.新时期中国戏剧观念的论争[J].辽东学院学报(社会科学版),2009,11(6):71-74,100. |
| |
| 作者姓名： | 张小平 |
| |
| 作者单位： | 南京政治学院,军事新闻传播系,南京,210003 |
| |
| 摘 要： | 新时期是中国历史发展的重要时期。百废待兴的格局注定了身在其中的戏剧将进行重大而有意义的转型。围绕这一转型,新时期的戏剧家以高度的责任感展开讨论,讨论甚至上升到论争的层面,将戏剧从政治的符号还原到艺术自身,戏剧观念的重大转型直接促成了中国戏剧的良性发展。
|
| 关 键 词： | 戏剧观念 中国文学 艺术 |
Discussion of Chinese Dramatic Idea in the New Era |
| |
| ZHANG Xiao-ping.Discussion of Chinese Dramatic Idea in the New Era[J].Journal of Liaodong University :Social Sciences,2009,11(6):71-74,100. |
| |
| Authors: | ZHANG Xiao-ping |
| |
| Institution: | ZHANG Xiao-ping(Department of Military Journalism , Communication,Nanjing Institute of Political Studies,Nanjing 210003,China) |
| |
| Abstract: | The new era is an important period of Chinese history.Chinese drama is destined to undergo significant and meaningful transformations in the situation that numerous neglected tasks have yet to be undertaken.Around the transformation,the dramatists of the new era discussed and even debated about drama with a high sense of responsibility.By restoring drama to be a real art from a political symbol,the great transformation directly leads to the positive development of Chinese drama. |
| |
| Keywords: | dramatic idea Chinese literature art |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
|
