"乡愁":"民间写作"刍议

20世纪90年代中期以来,文学界裂变为“主旋律写作”、“知识分子写作”和“民间写作”。我们不能把这种分化简单地视为“炒作”行为,相反,应当将其看作当前意识形态价值体系多元化趋势的一种表征,也是文学独立主体意识增强的征兆。“民间写作”与“知识分子写作”不是一种对立的写作立场,而是优势互现、不足互现的,应重组为“第三种写作”。

Nostalgia: An Initiative Review of "Folk Writing"

Ever since the 1990s , China's literature has been divided into three categories: Thematic Writing, Highbrow Writing and Folk writing. However, this differentiation is not to be considered as a commercial action. To the contrary, it is to be considered as a token of the diversification in the present ideological value system, and a symptom of the growth of literary independent consciousness. This thesis deems that Highbrow Writing and Folk wring are not opposite to each other, instead, they are supplementary to each other and ,therefore, as the "Third Writing".