| 董其昌与“南北宗”画论分析 |
| |
| 引用本文： | 陈正俊,马清越. 董其昌与“南北宗”画论分析[J]. 华北水利水电学院学报(社会科学版), 2011, 0(6): 102-104 |
| |
| 作者姓名： | 陈正俊 马清越 |
| |
| 作者单位： | 苏州大学艺术学院,江苏苏州215123 |
| |
| 摘 要： | 董其昌是明代中后期画坛享有盛名的书画家、美术鉴赏家和理论家,他的绘画实践和绘画理论对中国画的发展影响巨大且深远。但其后人们对这一论断褒贬不一。应将其绘画理论放在特定的历史环境中辩证地分析,以更好地指导中国画的创作。
|
| 关 键 词： | 董其昌 中国画 “南北宗” 画论 |
The Analysis of Dong Qichang and the Theory of Southern and Northern Sects |
| |
| CHEN Zheng-jun,MA Qing-yue. The Analysis of Dong Qichang and the Theory of Southern and Northern Sects[J]. Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition), 2011, 0(6): 102-104 |
| |
| Authors: | CHEN Zheng-jun MA Qing-yue |
| |
| Affiliation: | (Art School,Soochow University,Suzhou 215123,China) |
| |
| Abstract: | Dong Qichang is a famous artist,art connoisseur and theorist,who lived in late Ming dynasty,his painting practice and art theory have a significant influence on Chinese painting development.the proposal of southern and northern sects theory make him popular in Chinese painting history,it＇s very complex when talking about the consequence that the theory bring to us,different people have different view towards this theory.This paper puts the emphasis on the origin and the history significance of southern and northern sects theory,also presents the author＇s own perspective on the controversy which exists in the art history and the painting theory history fields. |
| |
| Keywords: | Dong Qichang Chinese painting Southern and northern sects Theory of painting |
| 本文献已被 维普 等数据库收录！ |
|
