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从浪漫审美主义走向消费审美主义——论第五代导演的审美走向
引用本文:李育红.从浪漫审美主义走向消费审美主义——论第五代导演的审美走向[J].渤海大学学报(哲学社会科学版),2007,29(3):61-67.
作者姓名:李育红
作者单位:渤海大学,中文系,辽宁,锦州,121013
摘    要:消费社会的到来,改变了文化生产的逻辑,这在我国第五代导演身上得到了鲜明的体现。第五代导演在20世纪八九十年代创造了有中国风格的浪漫审美主义的“文化电影”,在新世纪初,他们的国产大片迅速地转向审美消费主义,成为消费社会消费审美主义的典型代表。

关 键 词:第五代导演  消费社会  浪漫审美主义  消费审美主义  审美消费主义
文章编号:1672-8254(2007)03-0061-07

From Romantic Aestheticism to Consumptive Aestheticism——On Aesthetic Tendency of China's 5th Generation Directors
LI Yu-hong.From Romantic Aestheticism to Consumptive Aestheticism——On Aesthetic Tendency of China''''s 5th Generation Directors[J].Journal of Bohai University:Philosophy and Social Science Edition,2007,29(3):61-67.
Authors:LI Yu-hong
Abstract:With the arrival of consumptive society,the modern cultural production is changed,which can be obviously detected from China's 5th generation directors.The 5th generation directors created China-style "cultural films" with romantic aestheticism in 1980's and 1990's.In the new century,their films tend to take on aesthetically consumptive trend,and have been a typical representative of consumptive aestheticism in a consumptive society.
Keywords:5th generation directors  consumptive society  romantic aestheticism  consumptive aestheticism  aesthetically consumptive trend
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