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论书法传统与书法创新的层次与结构
引用本文:杨锁强.论书法传统与书法创新的层次与结构[J].西安交通大学学报(社会科学版),2006,26(2):69-74,96.
作者姓名:杨锁强
作者单位:西安交通大学,人文社会科学学院,陕西,西安,710049
摘    要:书法传统是一个由“技”、“法”与“道”三个层次构成的,以艺术家的内在情感体验、审美与情感抒发为内在动力,书法艺术社会价值与经济价值为外在驱动力的不断流失与替补的动态螺旋状发展系统.书法传统伴随着传承而产生的信息流失与解读的信息差异决定了今人对书法传统全面准确把握的缺陷性与不可能性.书法传统对于当代书法创新具有重要的理论价值与实践价值.基于特定目标的书法创新主要通过书法作品层、技法层和道这三个层次的创新来实现。

关 键 词:书法传统  书法创新  书法
文章编号:1008-245X(2006)02-0069-06
修稿时间:2005年5月15日

Research of Hierarchy of Tradition and Innovation of Calligraphy
YANG Suo-qiang.Research of Hierarchy of Tradition and Innovation of Calligraphy[J].Journal of Xi'an Jiaotong University(Social Sciences),2006,26(2):69-74,96.
Authors:YANG Suo-qiang
Abstract:Calligraphy tradition is composed of three hierarchies: "skills","techniques" and "Tao".There is a dynamic spiral development system for the continuous loss and supplement of the intrinsic driving force made up of the intrinsic emotion experience,taste and sensibility expression of the artist,and that of the external driving force consisting of social and economic values.The information loss and unscrambling information difference produced along with the tradition,and the calligraphy tradition determines the limitation and impossibility of its all-round and accurate grasp.The calligraphic innovation based on the specific goal will be realized mainly by the innovation of three hierarchies: "skills","techniques" and "Tao".
Keywords:Calligraphy tradition  calligraphy Innovation  calligraphy  
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