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“道”与“器”——论中国画意象表现的构成要素
引用本文:安鼎文.“道”与“器”——论中国画意象表现的构成要素[J].湛江师范学院学报,2010,31(4):129-132.
作者姓名:安鼎文
作者单位:湛江师范学院,美术学院,广东,湛江,524048
摘    要:意象表现,可以说是中国绘画的本质特征。中国天人合一的哲学思想及刘勰、石涛等人的艺术观皆对中国绘画的意象表现产生了极大的影响。而中国画所用的工具材料也成就了中国画写意语式的完美表达。在中国的传统文化(哲学)中有所谓"道""器"之论。"形而上者谓之道,形而下者谓之器"。中国天人合一的哲学思想及托物寄情的人文情怀可谓中国绘画之"道",而中国画所利用的工具材料正是盛载中国文化之道的最佳之"器"。

关 键 词:中国画  意象    

Tao vs Qi: Traditional Chinese Painting Image Representation and Composing Elements
AN Dingwen.Tao vs Qi: Traditional Chinese Painting Image Representation and Composing Elements[J].Journal of Zhanjiang Normal College,2010,31(4):129-132.
Authors:AN Dingwen
Institution:AN Dingwen (Academy of Fine Arts,Zhanjiang Normal College,Zhanjiang 524048,Guangdong,China)
Abstract:Image representation is a essential characteristic of traditional Chinese painting.The Chinese philosophy that man is an integral part of nature and the thought of LIU Xie and SHI Tao about art strongly influenced Chinese painting image representation.And for Chinese painting the implements and materials also contributed to the image's perfect representation.In traditional Chinese culture(philosophy) were ideas of "Tao" and "Qi"(like implements,etc.What is metaphysical was considered to be "Tao",and What is natural was considered to be "Qi",an "Implement".The Chinese "Nature-Man Unity" philosophy and humanity odes to natural beings were the Chinese painting "Tao",while the implements unsed for the paintings were the best "Qi",the implements that fully carried China's cultural "Tao".
Keywords:Chinese painting  image  Tao  Qi
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