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| 审美视域的现代转型 --从现代派艺术说开去 | |
| 引用本文： | 祁嘉华. 审美视域的现代转型 --从现代派艺术说开去[J]. 西北大学学报(哲学社会科学版), 2006, 36(3): 98-101 |
| 作者姓名： | 祁嘉华 |
| 作者单位： | 西安建筑科技大学,中文系,陕西,西安,710055 |
| 摘 要： | 丑是社会生活中的重要组成部分,美丑相依才符合生活的辩证法。有着独到生活感受的现代派作家,将丑引进艺术并进行大胆地表现,创造出了一系列以丑著称的艺术形象,在艺术世界里掀起了一场美与丑的变奏,也在人类文明史上开创出了一片奇异的视野。引导人们正确地认识丑,了解产生丑的历史必然性,有助于人们在面对现代派艺术时,能够理智地面对丑,从中提取出能够营养人生的东西来。 |
| 关 键 词： | 审美转化 现代派艺术 意义与价值 |
| 文章编号： | 1000-2731(2006)03-0098-04 |
| 修稿时间： | 2005-03-02 |
Aesthetic View Shifting in Modern Arts |
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| QI jia-hua. Aesthetic View Shifting in Modern Arts[J]. Journal of Northwest University(Philosophy and Social Sciences Edition), 2006, 36(3): 98-101 | |
| Authors: | QI jia-hua |
| Abstract: | Ugliness,coexists with beauty,is one of the important elements in social life.Modern writers,with their particular feelings for life,brave to express ugliness in their works by bringing about a serie of ugly images,which evokes a hated discussion on it and results in a special and splendid aesthetic view in world civilization history.Guiding people to get to know ugliness and its historical inevitability helps to make people rationally extract something nutritious for life when facing modern arts. |
| Keywords: | aesthetic view shifting Modern arts Meaning and value |
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