南阳汉画像石乐舞题材的双向审美效应

南阳汉画像石中的乐舞题材画像,是汉画像石刻与汉乐舞两种艺术在形式与内在意义上的叠合,由此形成了两种各不相同的艺术形式的双向审美效应。在画像石刻有限的空间中展示乐舞最美的造型,使南阳汉画像石刻达到了美的极致;时间性与空间性、动态美与静态形的融合,共同的造型特征的完美体现,使乐舞的瞬间经典动作借助画像石刻得到了夸张的宣扬与永久的留存,从一种消失性的艺术变为留传性的艺术,并为现代舞蹈艺术的创作提供了创造灵感与源泉。它以自身特殊的方式,传达着民族文化精神,透露着民族审美心态。

On the Two-Way Aesthetic Effect of the Music and Dance in Nanyang Han Dynasty Stone Engravings

The pictures based on the styles of music and dance in Nanyang Han Dynasty engravings are the overlaps of Han stone engravings and Han Dynasty music and dance in form and inner essence, thus forming the two_way effect of the two different artistic styles. That is to say, in the limited space of the Han Dynasty engravings, they display the most beautiful sculpts of the music and dance in order to lift Nanyang Han engravings to the peak of beauty. The blending of time and space, of dynamic beauty and static form, and the perfect representation of the similar sculpting features enable the momentary classical motions to be exaggerated and exhibited and thus to exist forever by means of the stone engravings. They change from a fading art into an existing art and provide a source and creative inspiration for the art of modern dance. By means of its special manner, it conveys the spirit of national culture and reveals the national aesthetic psychology.