首页 | 本学科首页   官方微博 | 高级检索  
     

论抗战时期重庆木刻运动的特征及其进步性
引用本文:钱华欣. 论抗战时期重庆木刻运动的特征及其进步性[J]. 重庆工商大学学报(社会科学版), 2004, 21(5): 130-134
作者姓名:钱华欣
作者单位:重庆教育学院,美术系,重庆,400067
基金项目:重庆市教委社会科学基金
摘    要:重庆美术在抗日战争时期最为活跃、成绩最为突出的是木刻.抗战时期的重庆木刻版画作为抗战时期重庆美术的重要组成部分,其显著的特征在中国现代美术史上谱写了重要的一页.以著名版画家王琦先生为代表的一批爱国木刻版画艺术家聚集重庆,在中国共产党的领导下,以木刻艺术作为武器,创作了大量鼓舞人民抗战的作品.他们的革命战斗精神和他们开拓出来的革命现实主义艺术道路,为后来的美术家所继承和发扬,成为社会主义文化艺术建设的一份珍贵遗产.

关 键 词:抗战时期  重庆  木刻
文章编号:1672-0598(2004)05-0130-05
修稿时间:2004-03-31

On characteristics and progress of Chongqing woodcut movement during Anti- Japanese War
QIAN Hua-xin. On characteristics and progress of Chongqing woodcut movement during Anti- Japanese War[J]. Journal of Chongqing Technology and Business University Social Science Edition, 2004, 21(5): 130-134
Authors:QIAN Hua-xin
Abstract:Woodcut in Chongqing's arts was vivacious and made great progress during Anti-Japanese War. During the period, Chongqing's woodcut print, which was important component of arts, played important role in China's modern art history. A lot of patriotic printers led by Wang Qi gathered in Chongqing. They used woodcut as their weapons and created a lot of products to encourage people anti-Japanese. Their revolutionary spirit and revolutionary art road becomes a rare legacy for coming artists to carry on and develop socialism culture construction.
Keywords:Anti-Japanese War time  Chongqing  woodcut
本文献已被 CNKI 维普 万方数据 等数据库收录!
点击此处可从《重庆工商大学学报(社会科学版)》浏览原始摘要信息
点击此处可从《重庆工商大学学报(社会科学版)》下载全文
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号