| 论敦煌佛教亡文审美内涵的多元化 |
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| 引用本文： | 张慕华.论敦煌佛教亡文审美内涵的多元化[J].南昌大学学报(人文社会科学版),2011,42(2):111-115. |
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| 作者姓名： | 张慕华 |
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| 作者单位： | 中山大学中文系,广东,广州,510275 |
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| 基金项目： | 国家社会科学重大"中国古代文体学发展史"，广东省社会科学规划项目"中国文体史论"，2010年教育部博士研究生学术新人奖项目，中山大学逸仙优秀研究生导师培养计划项目，笹川基金 |
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| 摘 要： | 敦煌遗书里保留了大量的用于忌辰设斋时念诵的佛教亡文。敦煌亡文将佛教义理与世俗民众心理需求完美地结合在一起,构建了一个以济度为功能导向的审美体系。这一体系是以佛教空观之美为基础、以净土理想之美为指向、以供养之美为手段、以伦理之美为辅助的佛教应用美学观念之集合。敦煌佛教亡文审美内涵的多元化,充分表明了佛教美学世俗化发展的趋势和进程。
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| 关 键 词： | 敦煌 佛教 亡文 美学 |
On the Diversification of Aesthetics Connotation for Buddhist Wang-wen in Dunhuang |
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| ZHANG Mu-hua.On the Diversification of Aesthetics Connotation for Buddhist Wang-wen in Dunhuang[J].Journal of Nanchang University(Humanities and Social Sciences),2011,42(2):111-115. |
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| Authors: | ZHANG Mu-hua |
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| Institution: | ZHANG Mu-hua(Department of Chinese,Zhongshan University,Guangzhou 510275,China) |
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| Abstract: | There are some pieces of Wang-wen which used in the Buddhist Funeral ceremony in Dunhuang documents.Wang-wen brings the Buddhist idea with the psychological demand of the temporal people perfectly to build an aesthetics system functioned to Jidu.This system is a jumble of the concepts for Buddhist Aesthetics which is based on the beauty of Kong Opinion,oriented to the beauty of Pure land,by the beauty of catering means and to be assisted by the beauty of ethics.The diversified aesthetic connotation of Wang-wen shows fully the development of Buddhist Aesthetics secularization. |
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| Keywords: | Dunhuang buddhism Wang-wen aesthetics |
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