| 魏晋美女赋之演变 |
| |
| 引用本文： | 马黎丽.魏晋美女赋之演变[J].贵州民族学院学报,2013(6):88-92. |
| |
| 作者姓名： | 马黎丽 |
| |
| 作者单位： | 兴义民族师范学院文学与传媒系,贵州兴义562400 |
| |
| 基金项目： | 国家社科基金资助项目（西部课题）“建安赋研究”[编号：13XZW009];贵州省教育厅高校人文社科规划项目“魏晋赋作研究”[编号：12GH017]. |
| |
| 摘 要： | 美女赋自宋玉发端，建安美女赋的新变在于其游戏笔墨的色彩、对女性的尊重和对女性内心世界的关注以及塑造美女形象的新突破；《洛神赋》集前代美女赋之大成；晋代美女赋呈式微之态，但也呈现出新变之象，张华赋有诗化倾向；张敏赋具有小说特点；陶渊明《闲情赋》则在继承的基础上创造了“十愿十悲”的动人艺术境界。
|
| 关 键 词： | 美女赋 继承 新变 |
The Evolution of Odes to Beauty in the Wei and Jin Dynasties |
| |
| MA Lili.The Evolution of Odes to Beauty in the Wei and Jin Dynasties[J].Journal of Guizhou University for Nationalities,2013(6):88-92. |
| |
| Authors: | MA Lili |
| |
| Abstract: | Odes to beauty originated from Song Yu, and developed from the Han Dynasty to the Wei and Jin Dynasties and the Six Kingdoms, which portrayed respect for women as well as the depiction of female mentality and beautiful women＇ s images. There were some trends to- ward poetry and novels or artistic images. |
| |
| Keywords: | odes to beauty inherit new change |
| 本文献已被 维普 等数据库收录！ |
