| 论《聊斋志异》的叙事角色和叙事视角 |
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| 引用本文： | 杨海波. 论《聊斋志异》的叙事角色和叙事视角[J]. 陇东学院学报(社会科学版), 2006, 0(3) |
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| 作者姓名： | 杨海波 |
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| 作者单位： | 陇东学院中文系 甘肃庆阳745000 |
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| 摘 要： | 《聊斋志异》具有很强的故事性,是名副其实的情节小说,其叙事艺术所取得的成就不容忽视。叙事艺术包括诸多因素,本文仅涉及叙事角色和叙事视角。认为《聊斋志异》是以"传奇式"叙述者为主的多种叙事角色;以全知叙述为主的多种叙事视角。
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| 关 键 词： | 《聊斋志异》 叙事角色 叙事视角 |
On the Narrators and the Narrative Angle of View of Strange Stories from a Chinese Studio |
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| YANGHai-bo. On the Narrators and the Narrative Angle of View of Strange Stories from a Chinese Studio[J]. Journal of Longdong University(Social Science Edition), 2006, 0(3) |
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| Authors: | YANGHai-bo |
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| Abstract: | The plots in Strange Stories from a Chinese Studio are neatly worked out. This book has made great achievements in the art of narration. This paper discusses two factors of the art of narration: the narrators and the narrative angle of view. We believe that the narrators in this book are mainly legendary, and the narrative angle of view is mainly a kind of know-all narration. |
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| Keywords: | Strange stories from a Chinese studio narrators narrative angle of view |
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