| 中国传统“中庸”思想在音乐发展中的作用 |
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| 引用本文： | 王晓元.中国传统“中庸”思想在音乐发展中的作用[J].唐都学刊,2004,20(5):144-146. |
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| 作者姓名： | 王晓元 |
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| 作者单位： | 西安音乐学院,管弦系,陕西,西安,710061 |
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| 摘 要： | 中国传统的"中庸"思想在当代音乐发展的走向中仍具有很好的启示作用。西方文化中的单极思维造成的对"音乐资源"的无限"开采",有可能给音乐的未来发展带来不良后果,使音乐的和声与曲式构架遭到彻底的破坏。中国传统文化中提倡"不偏不倚"的"中庸"思想能避免这两种极端,对音乐的未来发展或许有一些益处。
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| 关 键 词： | 音乐学 中庸 中和 曲式构架 音乐思维 音乐生态平衡 |
| 文章编号： | 1001-0300(2004)05-0144-03 |
| 修稿时间： | 2004年5月11日 |
The Influence of Chinese Traditional Thought of the Doctrine of Mean on the Development of Music |
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| WANG Xiao-yuan.The Influence of Chinese Traditional Thought of the Doctrine of Mean on the Development of Music[J].Tangdu Journal,2004,20(5):144-146. |
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| Authors: | WANG Xiao-yuan |
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| Abstract: | Chinese traditional thought of the Doctrine of the Mean is of great enlightenment on the development of modern music whileas the limitless exploitation of music resources caused by extreme thinking in culture of the West may have negative effect on the future development of music in respects of musical harmony and form.The Doctrine of the Mean in Chinese traditional culture may avoid these two extremes and is of benefit to the future development of music. |
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| Keywords: | musicology the Doctrine of the Mean neutralization musical form thinking on music ecological balance of music |
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