| 喜剧小品的意识形态分析——以黄宏、赵本山为例 |
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| 引用本文： | 秦良杰.喜剧小品的意识形态分析——以黄宏、赵本山为例[J].浙江海洋学院学报(人文科学版),2005,22(1):32-35. |
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| 作者姓名： | 秦良杰 |
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| 作者单位： | 浙江海洋学院,人文学院,浙江,舟山,316004 |
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| 摘 要： | 喜剧小品因篇幅限制一般不正面表现重大题材,但是它能反映社会心理变迁.黄宏的小品渗透着国家意识形态引导下的"良民"心理,因而成为社会关系再生产过程中的润滑剂;赵本山的小品则具有喜剧萌芽期的狂欢性质,颠覆了惯常大众传媒中被扭曲的农民形象,获得了观众的喜爱和认同.
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| 关 键 词： | 喜剧小品 风格 意识形态 大众文化 |
| 文章编号： | 1008-8318(2005)01-0032-04 |
| 修稿时间： | 2004年12月14 |
Comedy Sketch As Popular Culture --give an example: Huanghong and Zhao benshan |
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| QIN Liang-jie.Comedy Sketch As Popular Culture --give an example: Huanghong and Zhao benshan[J].Journal of Zhejiang Ocean University(Humane Science),2005,22(1):32-35. |
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| Authors: | QIN Liang-jie |
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| Abstract: | The Comedy sketch can reflect the vicissitude of social mentality,but never show important theme directly. Huang hong's comedy sketches hae been changed into a lubricant for the progress of social reproduction,and refteiting a good _citizen mentality guided by state ideology. Zhao benshan's subverted the contorted image of peasants in the mass media, with a orgiastic feature that the embryonic stage of comedy had .So Zhao's comedy sketches are popular among Chinese people. |
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| Keywords: | comedy sketch style ideology popular culture |
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