| 皮日休及第前后思想和创作特色及原因 |
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| 引用本文： | 亢巧霞,吴在庆.皮日休及第前后思想和创作特色及原因[J].厦门大学学报(哲学社会科学版),2005(5):55-60. |
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| 作者姓名： | 亢巧霞 吴在庆 |
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| 作者单位： | 1. 厦门大学,历史系,福建,厦门,361005
2. 厦门大学,中文系,福建,厦门,361005 |
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| 基金项目： | 教育部社会科学基金项目(JAP750.11—44023) |
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| 摘 要： | 皮日休的创作以咸通八年进士及第为界,呈现出两种不同的风格。前期行卷之作《皮子文薮》较多刺世讽时;及第后吴中唱和之作《松陵集》多表现个人生活。艺术表现的不同目的与需要、诗人思想性格的转变、社会生活环境的变更与传统的汇融等,都在一定程度上影响了诗人的创作。
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| 关 键 词： | 皮日休 晚唐诗 行卷 唱和 |
| 文章编号： | 0438-0460(2005)05-0055-06 |
| 修稿时间： | 2005年1月29日 |
Pi Rexiu's Creative Styles Around His Pass of the Imperial Examination |
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| KANG Qiao-xia,WU Zai-qing.Pi Rexiu''''s Creative Styles Around His Pass of the Imperial Examination[J].Journal of Xiamen University(A Quarterly for Studies in Arts & Social Sciences),2005(5):55-60. |
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| Authors: | KANG Qiao-xia WU Zai-qing |
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| Abstract: | Pi Rixiu's poetry presented different styles before and after he had passed the imperial examinations in 887 AD. While his Pizi Wensou was rather socially ironic ;The Collection of Songling was more of a personal mood. The different styles in his poetry are more or less influenced by the poet's pursuit of and needs for expression, the change of his ideas and living environments and the acceptance of tradition. |
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| Keywords: | Pi Rixiu Poetry in late Tang Dynasty Xing Juan responsory |
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