| 明前期传奇"以时文为南曲"的创作倾向 |
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| 引用本文： | 马艳. 明前期传奇"以时文为南曲"的创作倾向[J]. 晋阳学刊, 2007, 0(3): 108-112 |
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| 作者姓名： | 马艳 |
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| 作者单位： | 山西省社会科学院,太原,030006 |
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| 摘 要： | 明前期传奇是元杂剧和明清传奇两个戏曲高峰之间不可忽视的过渡环节,其创作总体成就不高,思想倾向以宣扬封建伦理道德为主,艺术方面则追求典雅骈俪,这种创作倾向可概括为“以时文为南曲”。明前期传奇是朱元璋推行全面复古政策、恢复中原传统文化的产物,也是《琵琶记》及其影响下“剧以载道”观空前加强的产物,并且极大地影响了明清传奇的创作。
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| 关 键 词： | 明前期传奇 以时文为南曲 创作倾向 |
| 文章编号： | 1000-2987(2007)03-0108-05 |
| 修稿时间： | 2007-01-13 |
On Southern Melody Writen with the Present Style in the Early Ming Dynasty |
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| MA Yan. On Southern Melody Writen with the Present Style in the Early Ming Dynasty[J]. Academic Journal of Jinyang, 2007, 0(3): 108-112 |
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| Authors: | MA Yan |
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| Abstract: | The drama in the early period of the Ming Dynasty experienced unnegligible transition from the poetic play in Yuan Dynasty to the drama in the later period of Ming Dynasty.The drama itself did not show high achievements.And its theme focused on propagating the feudal ethics.Besides,its artistic style was mainly shown in pursuing elegance.In general,its creation tendency is summed up as "Writing southern melody with the present style ".The drama in that period was the product of the policy of "back to the ancients"carried out by Emperor Zhu Yuanzhang after he overturned the ruling of Yuan Dynasty,which greatly influenced the dramas in both Ming and Qing Dynasty |
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| Keywords: | the early period of the Ming Dynasty writing southern melody with the present style the creation tendency |
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