| 楚音以悲为美论略 |
| |
| 引用本文： | 梁惠敏. 楚音以悲为美论略[J]. 长江大学学报(社会科学版), 2004, 27(4): 6-9 |
| |
| 作者姓名： | 梁惠敏 |
| |
| 作者单位： | 长江大学,艺术学院,湖北,荆州,434020 |
| |
| 摘 要： | 楚音之源为南音 ,产生于南楚独特的文化土壤之中 ,混融其它音乐文化要素 ,却不失其鲜明的地域文化特性。楚音以悲为美的审美特性 ,与楚地之巫文化有着必然的联系 ,与楚人没有受到儒家实践理性的彻底洗礼 ,较少精神束缚有关 ,鲜明地透射出楚人的文化品格
|
| 关 键 词： | 楚音 文化 以悲为美 审美特性 |
| 文章编号： | 1003-8019(2004)04-0006-04 |
| 修稿时间： | 2004-04-20 |
Sorrow as Beauty in the Music of Chu State |
| |
| LIANG Hui-min. Sorrow as Beauty in the Music of Chu State[J]. Journal of Yangtze University(Social Sciences), 2004, 27(4): 6-9 |
| |
| Authors: | LIANG Hui-min |
| |
| Abstract: | The music of Chu State derived from southern music and the special oulture of southern Chu State.It borrowed the cultural components from other music,but retained its own salient regional feature.The music of Chu State takes sorrow as beauty,which is certainly connected with culture.The other reasons are that Chu people were not influenced by confucianist practical rationality and had less spiritual restrictions.It could clearly reflect the cultural character of Chu people. |
| |
| Keywords: | the music of Chu State culture sorrow as beauty aesthetic characteristics |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
