| 重"意"轻"言"--"立象尽意"的诗学缺陷 |
| |
| 引用本文： | 向天渊.重"意"轻"言"--"立象尽意"的诗学缺陷[J].南昌大学学报(人文社会科学版),2004,35(5):112-116. |
| |
| 作者姓名： | 向天渊 |
| |
| 作者单位： | 西南师范大学,中国诗学研究中心,重庆,400715 |
| |
| 摘 要： | 哲学命题"立象尽意"被借用到诗学领域之后获得崭新内涵,即对"言外之意"的强调与追求;在韵味、兴趣、神韵和境界等学说的传承之中,诗歌语言自身的审美价值逐步被淡化,乃至最终被意象美与意境美的夺目光彩所遮蔽.虽然传统诗学对诗歌格律声色之美也给予了细致分析,赋比兴理论也可视为对"立象尽意"的补充,但都被"辞达而已"这一实用性要求所消弭.认识"立象尽意"重意轻言的缺陷,对现代汉语诗学的建设有重要意义.
|
| 关 键 词： | 立象尽意 言外之意 重意轻言 现代汉语诗学 |
| 文章编号： | 1006-0448(2004)05-0112-05 |
| 修稿时间： | 2004年3月8日 |
Regarding Meaning as Superiority to Word--Poetics Defect of Showing Images for Expounding Meanings |
| |
| XIANG Tian-yuan.Regarding Meaning as Superiority to Word--Poetics Defect of Showing Images for Expounding Meanings[J].Journal of Nanchang University(Humanities and Social Sciences),2004,35(5):112-116. |
| |
| Authors: | XIANG Tian-yuan |
| |
| Abstract: | As a proposition of philosophy, Showing Images for Expounding Meanings was used as a poetic proposition and obtained brand-new intension, which was to emphasize and seek meanings beyond words. From the Yunwei,Xingqu,Shenyun to the Jingjie, the aesthetic value of the words itself was neglected step by step and was completely covered by the aesthetic perception of the Images and the Artistic Conception.It is very important to build the Modern Chinese Poetics to recognize the sloping pattern of paying attention to the Meanings but looking down on the words. |
| |
| Keywords: | showing images for expounding meanings meanings beyond words regarding meaning as superiority to word Chinese modern poetry |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
