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| 唐代梨园乐官新证 | |
| 引用本文： | 左汉林. 唐代梨园乐官新证[J]. 东南大学学报(哲学社会科学版), 2007, 9(2): 87-89 |
| 作者姓名： | 左汉林 |
| 作者单位： | 北京师范大学,文学院,北京,100875 |
| 摘 要： | 梨园的乐官由梨园教坊使、梨园使、梨园判官、梨园供奉官、都都知与都知组成,其中梨园教坊使、梨园使、梨园判官是高级管理者,由宦官担任,不一定具备音乐才能。梨园供奉官、都都知与都知是低级乐官,不由宦官担任,具备较高的音乐才能,在梨园从事具体的音乐工作。 |
| 关 键 词： | 唐代 梨园 仙韶院 乐官 |
| 文章编号： | 1671-511X(2007)02-0087-03 |
| 修稿时间： | 2006-08-28 |
New reflections on music officers of theatre in the Tang Dynasty |
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| ZUO Han-lin. New reflections on music officers of theatre in the Tang Dynasty[J]. Journal of Southeast University(Philosophy and Social Science ), 2007, 9(2): 87-89 | |
| Authors: | ZUO Han-lin |
| Abstract: | The music officers consisted of top officers of theatres. Some of them were senior managers assumed by eunuchs who did not have to understand music. The lower officers were assumed by junior musical officers who were not eunuchs but should have quite high music talent and were engaged in specific music work. |
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