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| 意境空白的创造--从接受美学的视角 | |
| 引用本文： | 王建珍. 意境空白的创造--从接受美学的视角[J]. 河北大学学报(哲学社会科学版), 2005, 30(4): 40-43 |
| 作者姓名： | 王建珍 |
| 作者单位： | 河北省,沧州师范专科学校,河北,沧州,061000 |
| 摘 要： | 从接受美学的角度来看,中国的艺术意境是作者自觉地创造的具有"潜势"的文本.这种"潜势"在相当程度上是依靠设置"空白"来实现的."空白"是艺术意境的魅力所在.意境中的空白实际就是被作者结构进作品中的"暗隐的读者".这一"暗隐的读者"促进作家采取相应的创作技法,美学追求.从作家为求得"暗隐的读者"最终在现实读者那里获得具体化而采取的一些创作原则来看,主要是求真、求新,以复义为工. |
| 关 键 词： | 意境 接受美学 暗隐的读者 |
| 文章编号： | 1005-6378(2005)04-0040-04 |
| 修稿时间： | 2005-03-14 |
The Creation of the Vavancy of Artistic Conception--From the Prspective of Acceptive Aesthetics |
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| WANG Jian-zhen. The Creation of the Vavancy of Artistic Conception--From the Prspective of Acceptive Aesthetics[J]. Journal of Hebei University(Philosophy and Social Science), 2005, 30(4): 40-43 | |
| Authors: | WANG Jian-zhen |
| Abstract: | In the perspective of acceptive aesthetics, Chinese artistic conception is the work of author's deliberate creative potential, which is, in a way, realized by the specially designed "va-cancy". Such a "vacancy" is just where the artistic conception lies. It is enclosed, as implied readers, in the structure of the works. Implied readers force the author to adopt corresponding writing techniques in pursuing aesthtics. The author's basic guiding idea is to obtain real readers by seeking the true, the new and pluri - siguation. |
| Keywords: | artistic conception acceptive aesthetic implied readers |
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