| 黄庭坚的"心法"——江西诗派"活法"美学思想溯源 |
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| 引用本文： | 束景南.黄庭坚的"心法"——江西诗派"活法"美学思想溯源[J].浙江大学学报(人文社会科学版),2003,33(6):80-87. |
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| 作者姓名： | 束景南 |
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| 作者单位： | 浙江大学,古籍研究所,浙江,杭州,310028 |
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| 摘 要： | 江西诗派的"活法"美学思想有一个发展过程.最早苏东坡已提出了"活法"美学思想.黄庭坚在此基础上提出了"心法".到吕本中提出"活法悟入"的思想,标志着江西诗派"活法"美学思想的完成.江西诗派"活法"美学思想的确立,是宋代禅宗美学转型的标志.
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| 关 键 词： | 心法 活法 黄庭坚 吕本中 江西诗派 |
| 文章编号： | 1008-942X(2003)06-0080-08 |
| 修稿时间： | 2003年7月4日 |
HUANG Ting-jian's "Law of the Heart": the Aesthetic Origin of the "Flexible Law" of the Jiangxi School of Poetry |
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| SHU Jing-nan.HUANG Ting-jian's "Law of the Heart": the Aesthetic Origin of the "Flexible Law" of the Jiangxi School of Poetry[J].Journal of Zhejiang University(Humanities and Social Sciences),2003,33(6):80-87. |
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| Authors: | SHU Jing-nan |
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| Abstract: | The aesthetic ideology of a "Flexible Law" as advocated by Lu Benzhong of the Jiangxi School of Poetry can be traced back to HUANG Ting-jian. HUANG T ing-jian first put forward the "Law of the Heart", a law centered on the heart and focused on the subtle understanding of the heart. It is the origin of the aest hetic ideology of the "Flexible Law". The Law of the Heart manifests itse lf in both conscious and unconscious appreciation of the aesthetic c harm, while in ae sthetic expressions, it is expressed in such poetic language terms as the "flexible sentence structure", "undergoing a complete change" and "the golden touch by dexterous use of words". The aesthetic spirit of the Flexible Law runs through both aesthetic appreciation and aesthetic expression. |
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| Keywords: | Law of the Heart Flexible Law HUANG Ting-jian L U Ben-zhong Jiangxi School of Poetry |
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