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直觉、距离与审美创造——克罗齐与朱光潜早期美学思想
引用本文:刘向信.直觉、距离与审美创造——克罗齐与朱光潜早期美学思想[J].齐鲁学刊,2003(2):134-137.
作者姓名:刘向信
作者单位:山东省教育厅,山东,济南,250011
摘    要:朱光潜早期美学思想的形成与发展与克罗齐的美学思想有着密切的关联 ,他以“形象的直觉”为核心的美学经验论直接脱胎于克罗齐的相关美学观点。朱光潜早期美学思想在“艺术的独立性”和“为艺术而艺术”等方面 ,与克罗齐美学思想产生了共鸣。但也是因为这一点 ,使得他与克罗齐在“艺术的独立性如何实现”的问题上分道扬镳。

关 键 词:朱光潜  克罗齐  美学  直觉  距离  审美创造
文章编号:1001-022X(2003)03-0134-04
修稿时间:2002年10月27

Intuition, Distance and Creation of Aesthetics--Benedetto Croce and the Early Aesthetic Thought of Zhu Guangqian
LIU Xiang,xin.Intuition, Distance and Creation of Aesthetics--Benedetto Croce and the Early Aesthetic Thought of Zhu Guangqian[J].Qilu Journal,2003(2):134-137.
Authors:LIU Xiang  xin
Abstract:The establishment and development of Zhu Guangqian’s early aesthetic thought is very closely related with the ideas of Benedetto Croce, the famous Italian aesthetician. In fact, Zhu’s aesthetic theory centered “intuition of images” is directly born out of Croce’s related viewpoint. Zhu’s early aesthetic thoughts like “the independence of art” and “art for art’s sake” arouse sympathy with that of Croce’s, and just because of this, the two aestheticians go their own ways on “how to realize the independence of art”.
Keywords:Zhu Guangqian  Croce  Aesthetics  Intuition  Distance  Creation of Aesthetics  
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