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再现现实:现象学现实主义--电影纪实学派理论评析
引用本文:胡星亮.再现现实:现象学现实主义--电影纪实学派理论评析[J].南京大学学报(哲学.人文科学.社会科学 ),2004,41(5).
作者姓名:胡星亮
作者单位:南京大学,中文系,南京,210093
摘    要:巴赞和克拉考尔的电影理论,从根本上说,是强调纪实美学的电影现实主义。在巴赞和克拉考尔看来,电影的艺术特性就是纪实。他们对以蒙太奇为代表的传统电影理论的反思与批判和对电影审美特性的重新思考,深入地开掘了电影的艺术表现力,创造和发展了电影的艺术语言,极大地丰富了电影理论与美学,并对此后的世界电影理论与实践产生了深远的影响。

关 键 词:电影纪实  纪录与揭示  镜头段落—景深镜头  现象学现实主义

Representing Reality:Phenomenological Realism--On Film Theory of the Realistic School
HU Xing-liang.Representing Reality:Phenomenological Realism--On Film Theory of the Realistic School[J].Journal of Nanjing University(Philosophy, Humanities and Social Sciences),2004,41(5).
Authors:HU Xing-liang
Institution:HU Xing-liang Department of Chinese Language and Literature,Nanjing University,Nanjing 210093,China
Abstract:A. Bazin and S. Kracauer's film theory is essentially that of film realism which cen- ters on the realistic aesthetics. In their view, the artistic characteristic of film lies in the noumenon of film, i. e. the on-the-spot record. The reflective criticism they have made on the traditional film theories embodied in Montage and their reconsideration of the aesthetic identity of film help to tap the potential artistic expressiveness of the film, to create and promote the artistic languages of the film, and to greatly enrich the film theory and aesthetics, thus exerting profound influence on the theories and practices of the world film theleafter.
Keywords:realistic film  on-the-spot record and revelation  sequence-plan-depth of field  phenomenological realism
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