阐释的张力——王国维"欧穆亚"说的三重视界

王国维在《屈子文学之精神》中提出的"欧穆亚"说是对西方"幽默"理论的合理误读。从阐释学"视界融合"的角度看,"欧穆亚"说形成了跨越古今中西,由历时而共时的三重视界的重叠:首先是屈原冲突性的悲剧人格外化出的文学精神,其次是叔本华悲观哲学的"幽默"观念,基于两者与王国维文化人格的"家族相似"性,"欧穆亚"由误读而沟通了中国传统文学精神和西方近代美学思想。"欧穆亚"显在和隐在两重对话结构,使得在一个更大的阐释循环内,对本土文学和西方理论的现代性认识成为可能。

Tension of the Narrative:Three Horizons of WANG Guo-wei's Theory of "Humour"

WANG Guo-wei misreads the theory of "humour" from western aesthetics in his article "The Spirit of Qu Yuan's Literature".In the sense of the "horizon verschmelzung" of hermeneutics,WANG Guo-wei's theory of "humour" takes shape of three horizons overlapped which cross through ancient to modern,from west to east.The first is the spirit of Qu Yuan's literature which comes from his conflicting tragic personality.The second is Schopenhauer's concept of humour in his pessimist philosophy.Because the two are similar to WANG Guo-wei's cultural personality,which is the third horizon,"humour" hence communicates the Chinese traditional literature spirit and western modern esthetic thoughts.The double dialogic structure of "humour" makes it possible that in a larger "hermeneutic circle",the modern understanding of the native literature and western theories comes into shape.