“和谐论”文艺美学的理论特征和逻辑构架

文艺美学是传统美学发展的必然产物。"和谐论"文艺美学体系弘扬、发展了古今中外的美学思想和艺术理论,它对艺术审美本质的界定吸收了康德的思想,又超越了康德把美归于形式的倾向,将美与艺术统一起来。"和谐论"文艺美学对美和艺术既有总体的把握,又对艺术作品的审美构成作具体探索。文艺美学的方法论与其理论体系运用以辩证思维为统帅的多元综合一体化的方法,构筑了一个纵横结合、网络式、圆圈型的逻辑框架。

The Theoretical Characteristics and Logical Structure of System of Literary andArt Aesthetics of "Theory of Harmony"

Literary and art aesthetics is the inexorable outcome of the development of traditional aesthetics.The system of literary and art aesthetics of "thetheory of harmony" has developed the aesthetic ideologies and art theories of both China and abroad in both ancient and modern times.And the theory has defined the nature of art aesthetics absorbing Kant's thoughts and surpassing his tendency of referring to beauty as form and unified beauty and art.The literary and art aesthetics of "the the ory of harmony" not only generally grasps beauty and art,but researches into the aesthetic formation of literary and art work,andit has constructed a logical framework with a circular network and both horizontal and vertical levels.