| 中国艺术范畴“韵”源考 |
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| 引用本文： | 赵建军. 中国艺术范畴“韵”源考[J]. 东南大学学报(哲学社会科学版), 2007, 9(4): 104-107 |
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| 作者姓名： | 赵建军 |
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| 作者单位： | 江南大学,文学院,江苏,无锡,214122 |
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| 摘 要： | "韵"是中国艺术特质的重要概念。"韵"概念的出现与魏晋玄学追求超逸高蹈的思致相关,但将"韵"概念与"神"、"气"、"律"等概念结合起来,成为表达艺术特殊审美境界的概念,则是在南北朝时期完成的,期间佛教般若思想的渗透起到了尤为重要的促动作用。
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| 关 键 词： | 中国艺术 “韵” 般若 艺术特质 |
| 文章编号： | 1671-511X(2007)04-0104-04 |
| 修稿时间： | 2006-12-08 |
An exploration into the origin of Chinese artistic category "yun" (implicit richness) |
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| ZHAO Jian-jun. An exploration into the origin of Chinese artistic category "yun" (implicit richness)[J]. Journal of Southeast University(Philosophy and Social Science ), 2007, 9(4): 104-107 |
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| Authors: | ZHAO Jian-jun |
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| Abstract: | "Yun" is an important concept with unique Chinese artistic characteristics. The advocating of "yun" has a close connection with the theoretical pursuit of metaphysic emptiness the Wei and Jin Dynasties. But it is in the Northern and Southern Dynasties when "yun" was regarded as a concept of expressing artistic appreciation combined with the concepts of "spirit", "energy" and "rhyme". In this period the wisdom of Buddhistic prajna also plays a promotive role. |
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