| 审美性与学理性交合：沈从文的批评文体 |
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| 引用本文： | 钟名诚.审美性与学理性交合：沈从文的批评文体[J].云梦学刊,2001,22(3):62-65. |
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| 作者姓名： | 钟名诚 |
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| 作者单位： | 南京晓庄学院,人文教育系,江苏,南京,210038 |
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| 摘 要： | 批评文体是一个批评家的个性显现,沈从文以其作家批评家的优势,在中国现代文学批评史上留下了独具特色的美文式批评文体,他的这种批评文体将文学的审美性和批评的学理性交合于一体.形成沈从文美文式批评文体的根本原因是他以人为本的文学观和美学观.
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| 关 键 词： | 审美性 学理性 批评文体 文学观 美学观 |
| 文章编号： | 1006-6365(2001)03-0062-04 |
| 修稿时间： | 2000年11月16 |
COMBINED AESTHETIC STANDARDS WITH SCIENTIFIC PRINCIPLE: CRITICAL STYLE OF CONGWEN SHEN |
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| ZHONG Ming - cheng.COMBINED AESTHETIC STANDARDS WITH SCIENTIFIC PRINCIPLE: CRITICAL STYLE OF CONGWEN SHEN[J].Journal of Yunmeng,2001,22(3):62-65. |
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| Authors: | ZHONG Ming - cheng |
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| Abstract: | A critical style is the individual demonstration of a critic. Mr Shen left a unique critical style in the histoty of modern Chinese literature. The style is combined literary aesthetics with critical science, the basic reason of whose formation is his literary and aesthetic standards based on human beings. |
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| Keywords: | aesthetics scientific principle critical style literary standards aesthetic standards |
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