| 论西洋水彩画与传统中国画的互渗互融 |
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| 引用本文： | 毛亦农. 论西洋水彩画与传统中国画的互渗互融[J]. 云梦学刊, 2002, 23(6): 76-77 |
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| 作者姓名： | 毛亦农 |
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| 作者单位： | 岳阳师范学院,美术系,湖南,岳阳,414006 |
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| 摘 要： | 在东西方文化交汇日趋频繁的今天,西洋水彩画和传统中国画,在艺术语言、艺术精神、审美意识等方面一定程度上互渗互融,形成了多元发展,共存互补的新局面。这是东西方绘画艺术上的进步。
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| 关 键 词： | 水彩画 中国画 互渗互融 |
| 文章编号： | 1006-6365(2002)06-0076-02 |
| 修稿时间： | 2002-06-21 |
BETWEEN WESTERN WATERCOLOR PAINTINGS AND TRADITIONAL CHINESE PAINTINGS |
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| MAO Yi-nong. BETWEEN WESTERN WATERCOLOR PAINTINGS AND TRADITIONAL CHINESE PAINTINGS[J]. Journal of Yunmeng, 2002, 23(6): 76-77 |
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| Authors: | MAO Yi-nong |
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| Abstract: | With the increasing of cultural exchange between the east and the west ,western watercolor paintings and traditional Chinese paintings have come to mix with each other to wome extent in such fields as art language,art spirit and aesthetic value. A new trend of multidevelopment,coexistence and mutual-supplement has come into being . This is a progress in art history of the east and the west . |
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| Keywords: | watercolor painting traditional Chinese painting mutual-penetration |
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