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二次创格:何其芳的格律诗学
引用本文:於可训.二次创格:何其芳的格律诗学[J].汕头大学学报(人文社会科学版),2004,20(1):25-30.
作者姓名:於可训
作者单位:武汉大学人文学院中文系,湖北 武汉 430072
摘    要:创造新格律是20世纪中前期中国诗歌理论的重要一脉。何其芳是中国新诗理论第二次“创格”的主要代表,他的格律诗理论具有重要意义。其内容主要包括两个方面:一是创建新格律的动因,是基于中国新诗与中国优秀诗歌传统脱节;二是主张以“节奏的规律化”为核心,创建新格律。在那样的一个特殊年代里,何其芳的格律诗学只能是一个虚拟的诗学理想。

关 键 词:何其芳  格律诗学  格律诗  诗歌传统  节奏的规律化
文章编号:1001-4225(2004)01-0025-006
修稿时间:2003年12月5日

Creating New Meterical Verse Secondly:He Qi-fang's Poesy ideal on Meterical Verse
YU Ke-xun.Creating New Meterical Verse Secondly:He Qi-fang''''s Poesy ideal on Meterical Verse[J].Journal of Shantou University(Humanities Edition),2004,20(1):25-30.
Authors:YU Ke-xun
Abstract:Creating new meterical verse is an important side of Chinese poetic academy in 20century. He Qi-fang is representative of establishing secondly. Whose meterical verse poetic ideal possess importance academic significance. His meterical verse ideal involves two content: One is that reason of creating new meterical verse gets adrift with Chinese excellence poesy tradition; The other issue is how to creating new meterical verse. About the question, he consider that disciplinarian of rhythm maybe become the core. The author think that He Qi-fang's poesy ideal of meterical verse can but a suppositional poetics ideal in that especial years.
Keywords:Meterical verse  Disciplinarian of rhythm  Excellence poesy tradition
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